Exhibition Catalogues (Listed by Author)
Click on underlined links for additional information
||Art Association of the San Francisco Art Institute. Art Bank 64/66. San Francisco: Art Association of the San Francisco Art Institute, 1964. [For a lending collection from the Artist Association of the San Francisco Art Institute.]
Ayres, Anne, ed. Forty Years of California Assemblage: UCLA Art Council Annual Exhibition. Los Angeles: Frederick S. Wight Art Gallery, University of California, Los Angeles, 1989.
||Baird, Joseph Armstrong, Jr., ed. Directions in Bay Area Painting: A Survey of Three Decades, 1940s1960s. Davis: Richard L. Nelson Gallery, University of California, Davis, 1983.
Barnes, Lucinda. Measure of Time. Berkeley: Berkeley Art Museum and Pacific Film Archive, 2006.
||Baron, Stephanie, Sheri Bernstein, and Ilene Susan Fort. Made in California: Art, Image, and Identity, 19002000. Los Angeles and Berkeley: Los Angeles County Museum of Art and University of California Press, 2000.
Berry, Ian, and Jack Shear, eds. Twice Drawn: Modern and Contemporary Drawings in Context. New York and Sarasota Springs, NY: Prestel and Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, 2011.
Beshty, Walead. Jay DeFeo. New York: Mitchell-Innes & Nash.
Butler, Cornelia, and Lisa Gabrielle Mark, eds. WACK! Art and the Feminist Revolution. Los Angeles and Cambridge, MA: Museum of Contemporary Art, Los Angeles, and MIT Press, 2007.
||Cameron, Dan. California Landscape Into Abstraction. Newport Beach, CA: Orange County Museum of Art, 2013.
Cameron, Dan The Avant-Garde Collection. Newport Beach, CA: Orange County Museum of Art, 2014.
Castellón, Rolando, ed. Jay DeFeo: Dibujos y Foto-collages. San José, Costa Rica: Museo de Arte y Diseño Contemporáneo, 1996.
Chassman, Neil A., ed. Poets of the Cities: New York and San Francisco 19501965. New York and Dallas: E. P. Dutton and Dallas Museum of Fine Arts, 1974.
||Dillenberger, Jane, and John Dillenberger, eds. Perceptions of the Spirit in Twentieth-Century American Art. Indianapolis: Indianapolis Museum of Art, 1977.
Dreishpoon, Douglas, Louis Grachos, David Pagel, and Heather Pesanti. Decade: Contemporary Collecting 20022012. Buffalo: Albright-Knox Art Gallery, 2012.
Duncan, Michael, and Kristine McKenna. Semina Culture: Wallace Berman and His Circle. New York and Santa Monica, CA: D.A.P. and Santa Monica Museum of Art, 2005.
||Edwards, Jim. Jay DeFeo/Madeline O'Connor: Paintings and Drawings. Victoria, TX: Nave Museum, 1986.
Engelbach, Barbara, Friederike Wappler, and Hans Winkler, eds. Looking for Mushrooms: Beat Poets, Hippies, Funk, Minimal ArtSan Francisco 195568. Cologne, Germany: Museum Ludwig and Walther König, 2008.
||Falino, Jeannine, ed. Crafting Modernism: Midcentury American Art and Design. New York: Abrams and Museum of Arts and Design, 2011.
Foster, Carter E., and Jeffrey D. Grove. Drawing Modern: Works from the Agnes Gund Collection. Cleveland, OH: Cleveland Museum of Art, 2003.
Fraenkel, Jeffrey. The Unphotographable. San Francisco: Fraenkel Gallery, 2013.
Frank, Peter. Image to Gesture 1945-1969: California Postwar Abstraction. New York: David Findlay Jr Gallery, 2013.
||Gagosian Gallery, ed. Ferus. New York: Gagosian Gallery, 2002. Second edition, 2009, copublished with Rizzoli, 2002.
Garrels, Gary, ed. Celebrating Modern Art: The Anderson Collection. San Francisco and Berkeley: San Francisco Museum of Modern Art and University of California Press, 2000.
Green, Mark. “A Kind of Beatness”: Photographs of a North Beach Era, 19501965. San Francisco: Focus Gallery, 1975.
Greene, Merril. Art as a Muscular Principle: 10 Artists and San Francisco, 19501965Roots and New Directions. South Hadley, MA: John and Norah Warbeke Gallery, Mount Holyoke College, 1975.
________. San Francisco Renaissance: Photographs of the '50s and '60s. New York: Gotham Book Mart, 1975.
||Hackett, Michael, and Tracy Freedman, eds. Homage to the San Francisco Art Institute: Artists Who Transformed American Culture. San Francisco: Hackett-Freedman Gallery, 1999.
Hainley, Bruce. Jay DeFeo: “Applaud the Black Fact.” Boston: Nielsen Gallery, 2007.
Hernandez, Jo Farb. The Artist and the Myth. Monterey, CA: Monterey Peninsula Museum of Art, 1987.
Hoffmann, Jens. Jay DeFeo: Where the Swan Flies. Houston, TX: Moody Gallery, 2008.
Hoffmann, Jens. Pioneers. San Francisco: California College of the Arts, 2007.
Hoffmann, Jens and Stacen Berg, eds. Paul McCarthy’s Low Life Slow Life: Tide Box, Tide Book. San Francisco and Ostfildern, Germany: California College of the Arts and Hatje Cantz Verlag, 2010.
Holland, Katherine Church, ed. A Bay Area Connection: Works from the Anderson Collection. Santa Clara, CA: Triton Museum of Art, 1995.
Hopkins, Henry T. Jay DeFeo/MATRIX 11. Berkeley: University Art Museum, University of California, Berkeley, 1978.
Hopkins, Henry T. Painting and Sculpture in California: The Modern Era. San Francisco: San Francisco Museum of Modern Art, 1977.
Hosfelt, Todd, and Stephanie Hanor. DEFEO. San Francisco: Hosfelt Gallery, 2011.
Hosfelt, Todd and Victoria Roberts. Jay DeFeo / Alter Ego. San Francisco: Hosfelt Gallery, 2015.
||Irwin, Michele Ellis and James Irwin. Private Collections/Personal Exchange: Bay Area Artists, 19501966. San Francisco: Transamerica Corporation, 1989.
Jacobson, Karen, ed. Radical Past: Contemporary Art & Music in Pasadena, 19601974. Pasadena: Armory Center for the Arts and Art Center College of Design.
Johnson, Robert Emory, ed. Rolling Renaissance: San Francisco Underground Art in Celebration, 19451968. Second edition. San Francisco: Intersection, Center for Religion and the Arts, 1976. [Exhibit in 1968.]
Jost, Stephan F. F. “out of my own head”: Photographs by Jay DeFeo. Oakland, CA: Mills College Art Museum, 2004.
||Keller, Tobin, ed. Jay DeFeo, An Intimate ViewSmall Paintings, 1986 through 1989. Santa Cruz, CA: Art Museum of Santa Cruz County, 1990.
Keinholz, Ed. J. DeFeo. Hope, ID: Faith and Charity in Hope Gallery, 1979./p>
||Lagoria, Georgianna M., ed. Northern California Art of the Sixties. Santa Clara, CA: De Saisset Museum, University of Santa Clara, 1982.
Landauer, Susan. Paper Trails: San Francisco Abstract Expressionist Prints, Drawings, and Watercolors. Santa Cruz, CA: Art Museum of Santa Cruz County, 1993.
________. The San Francisco School of Abstract Expressionism. Laguna Beach, CA, and Berkeley: Laguna Art Museum and University of California Press, 1996.
LeFalle-Collins, Lizzetta. Choose Paint! Choose Abstraction! San Francisco: Museum of the African Diaspora, 2012.
Lewallen, Constance. Jay DeFeo: Selected Works 19521989. Philadelphia: Goldie Paley Gallery, Moore College of Art and Design, 1996.
Linhares, Philip E. Here and Now: Bay Area Masterworks from the di Rosa Collection. Oakland, CA: Oakland Museum, 1994.
Loisy, Jean de, ed. Traces du Sacré (Traces of the Sacred). Paris: Éditions du Centre Pompidou, 2008.
||Maréchal-Workman, Andrée. Three Pick Four. San Francisco: University of California Extension Center Art Gallery, 1984.
Marter, Joan, ed. Women of Abstract Expressionism. Denver and New Haven: Denver Art Museum and Yale University Press, 2016.
Martin, Fred. The Rose: J. DeFeo. Pasadena and San Francisco: Pasadena Art Museum and San Francisco Museum of Art, 1968.
Miller, Dana. Jay DeFeo: A Retrospective. New York and New Haven: Whitney Museum of American Art and Yale University Press, 2012.
Miller, Dana A., and Marla Prather. An American Legacy: A Gift to New York: Recent Acquisitions from the Board of Trustees. New York: Whitney Museum of American Art and Prestel, 2002.
Miller, Dana, and Anne Wilkes Tucker. Jay DeFeoNo End: Works on Paper from the 1980s; Botanicals: Photographs from the 1970s. Santa Fe, NM: Dwight Hackett projects, 2006.
Miller, Dorothy C., ed. Sixteen Americans. New York: Museum of Modern Art, 1959.
Monte, James. Late Fifties at the Ferus. Los Angeles: Los Angeles County Museum of Art, 1968.
Morineau, Camille. elles@centrepompidou: Women Artists in the Collection of the Musée National d’Art Moderne, Centre de Création Industrielle. Paris: Éditions du Centre Pompidou, 2009.
Nash, Steven A. Facing Eden: 100 Years of Landscape Art in the Bay Area. San Francisco and Berkeley: Fine Arts Museums of San Francisco and University of California Press, 1995.
Natsoulas, John, ed. Lyrical Vision: The 6 Gallery, 1954-1957. Davis, CA: Natsoulas/Novelozo Gallery, 1990.
Natsoulas, John, and Vanessa Bolden. Beat Generation and Beyond: A Visual History, Volume II. Davis, CA: John Natsoulas Press, 2004.
Neubert, George W. San Francisco Bay Area Painting. Lincoln: Sheldon Memorial Art Gallery, University of Nebraska, 1984.
Neubert, George W., and Therese Heyman, eds. Archives of American Art: California Collecting. Oakland, CA: Oakland Museum, 1977.
||Orr-Cahall, Christina, ed. The Dilexi Years, 19581970. Oakland, CA: Oakland Museum, 1984.
||Pedersen, Mette-Line Art Is Not an Intellectual Way of Thinking. Kristiansand, Norway: Kristiansand Kunsthall, 2014.
Phillips, Lisa. The American Century: Art and Culture, 1950-2000. New York: Whitney Museum of American Art and W.W. Norton, 1999.
________. Beat Culture and the New America, 1950-65. New York and Paris: Whitney Museum of American Art and Flammarion, 1995.
||Rasmussen, Jack. The True Artist Is an Amazing Luminous Fountain: Selected Works from the di Rosa Preserve: Art & Nature. Napa, CA: di Rosa Preserve: Art & Nature, 2004.
Ratcliff, Carter. Jay DeFeo: Ingredients of Alchemy, Before and After ‘The Rose.’ New York: Michael Rosenfeld Gallery, 2002.
Raven, Arlene. True Grit. New York: Michael Rosenfeld Gallery, 2000.
Rondinone, Ugo. The Third Mind: Carte Blanche à Ugo Rondinone. Paris: Palais de Tokyo, 2007.
________. The Spirit Level. New York: Gladstone Gallery, 2012.
Rosenfeld, Michael, ed. Michael Rosenfeld Gallery: The First Decade. New York: Michael Rosenfeld Gallery, 2000.
________, ed. 19501965: Abstraction on Paper. New York: Michael Rosenfeld Gallery, 2001.
________, ed. Abstraction Expressionism: Further Evidence, Painting and Sculpture. New York: Michael Rosenfeld Gallery, 2009.
Rubin, David S. Concerning the Spiritual: The Eighties. San Francisco: San Francisco Art Institute, 1985.
________. Jay DeFeo: Selected Works, Past and Present. San Francisco: San Francisco Art Institute, 1984.
||Sasse, Julie. An Eclectic Eye: Selections from the Dan Leach Collection. Tucson, AZ: Tucson Museum of Art, 2007.
Schwager, Michael. Renaissance on Fillmore, 195565. Sonoma, CA: di Rosa, 2012.
Singer, Debra, and Gregory Volk. Night Scented Stock. New York: Marianne Boesky Gallery, 2011.
Smith, William S. IGY. New York: Marianne Boesky Gallery, 2010.
Stich, Sidra, ed. Jay DeFeo: Works on Paper. Berkeley: University Art Museum, University of California, Berkeley, 1989.
Sussman, Elisabeth. Jay DeFeo: Her Tripod and Its Dress. New York: Michael Rosenfeld Gallery, 2003.
||Turnbull, Betty. The Last Time I Saw Ferus: 19571966. Newport Beach, CA: Newport Harbor Art Museum, 1976.
||Van Proyen, Mark. Dissonant Abstractions. San Jose, CA: San Jose Institute of Contemporary Art, 1986.
||Whyte, Robert A., ed. Jay DeFeo: The Florence View and Related Works 19501954. San Francisco: Museo ItaloAmericano, 1997.
Wicks, Stephen C., ed. Lines of Discovery: 225 Years of American Drawings. London and Columbus, GA: D Giles and Columbus Museum, 2006.
||Yau, John. Jay DeFeo: Chiaroscuro. Zurich: Galerie Eva Presenhuber and JRP|Ringier, 2013.