Exhibition Catalogues (Listed by Title)
Click on underlined links for additional information
Abstraction Expressionism: Further Evidence, Painting and Sculpture. Edited by Michael Rosenfeld. New York: Michael Rosenfeld Gallery, 2009.
The American Century: Art and Culture, 19502000. By Lisa Phillips. New York: Whitney Museum of American Art and W.W. Norton, 1999.
An American Legacy: A Gift to New York: Recent Acquisitions from the Board of Trustees. By Dana A. Miller and Marla Prather. New York: Whitney Museum of American Art and Prestel, 2002.
Archives of American Art: California Collecting. Edited by George W. Neubert and Therese Heyman. Oakland, CA: Oakland Museum, 1977.
Art as a Muscular Principle: 10 Artists and San Francisco, 19501965: Roots and New Directions. By Merril Greene. South Hadley, MA: John and Norah Warbeke Gallery, Mount Holyoke College, 1975.
Art Bank 64/66. By the Art Association of the San Francisco Art Association. San Francisco: Art Association of the San Francisco Art Institute, 1964. [For a lending collection from the Artist Association of the San Francisco Art Institute.]
Art Is Not an Intellectual Way of Thinking. By Mette-Line Pedersen. Kristiansand, Norway: Kristiansand Kunsthall, 2014.
The Artist and the Myth. By Jo Farb Hernandez. Monterey, CA: Monterey Peninsula Museum of Art, 1987.
The Avant-Garde Collection. By Dan Cameron. Newport Beach, CA: Orange County Museum of Art, 2014.
||A Bay Area Connection: Works from the Anderson Collection. Edited by Katherine Church Holland. Santa Clara, CA: Triton Museum of Art, 1995.
Beat Culture and the New America, 195065. By Lisa Phillips. New York and Paris: Whitney Museum of American Art and Flammarion, 1995.
Beat Generation and Beyond: A Visual History, Volume II. By John Natsoulas and Vanessa Bolden. Davis, CA: John Natsoulas Press, 2004.
||California Landscape Into Abstraction. By Dan Cameron. Newport Beach, CA: Orange County Museum of Art, 2013.
Celebrating Modern Art: The Anderson Collection. Edited by Gary Garrels. San Francisco and Berkeley: San Francisco Museum of Modern Art and University of California Press, 2000.
Choose Paint! Choose Abstraction! By Lizzetta LeFalle-Collins. San Francisco: Museum of the African Diaspora, 2012.
Concerning the Spiritual: The Eighties. By David S. Rubin. San Francisco: San Francisco Art Institute, 1985.
Crafting Modernism: Midcentury American Art and Design. Edited by Jeannine Falino. New York: Abrams and Museum of Arts and Design, 2011.
||Decade: Contemporary Collecting 20022012. By Douglas Dreishpoon, Louis Grachos, David Pagel, and Heather Pesanti. Buffalo: Albright-Knox Art Gallery, 2012.
DEFEO. By Todd Hosfelt and Stephanie Hanor. San Francisco: Hosfelt Gallery, 2011.
The Dilexi Years, 19581970. Edited by Christina Orr-Cahall. Oakland, CA: Oakland Museum, 1984.
Directions in Bay Area Painting: A Survey of Three Decades, 1940s1960s. Edited by Joseph Armstrong Baird, Jr. Davis: Richard L. Nelson Gallery, University of California, Davis, 1983.
Dissonant Abstractions. By Mark Van Proyen. San Jose, CA: San Jose Institute of Contemporary Art, 1986.
Drawing Modern: Works from the Agnes Gund Collection. By Carter E. Foster and Jeffrey D. Grove. Cleveland, OH: Cleveland Museum of Art, 2003.
||An Eclectic Eye: Selections from the Dan Leach Collection. By Julie Sasse. Tucson, AZ: Tucson Museum of Art, 2007.
elles@centrepompidou: Women Artists in the Collection of the Musée National d’Art Moderne, Centre de Création Industrielle. By Camille Morineau. Paris: Éditions du Centre Pompidou 2009.
||Facing Eden: 100 Years of Landscape Art in the Bay Area. By Steven A. Nash. San Francisco and Berkeley: Fine Arts Museums of San Francisco and University of California Press, 1995.
Ferus. Edited by Gagosian Gallery. New York: Gagosian Gallery, 2002. Second edition, 2009, copublished with Rizzoli.
Forty Years of California Assemblage: UCLA Art Council Annual Exhibition. Edited by Anne Ayres. Los Angeles: Frederick S. Wight Art Gallery, University of California, Los Angeles, 1989.
||Here and Now: Bay Area Masterworks from the di Rosa Collection. By Philip E. Linhares. Oakland, CA: Oakland Museum, 1994.
Homage to the San Francisco Art Institute: Artists Who Transformed American Culture. Edited by Michael Hackett and Tracy Freedman. San Francisco: Hackett-Freedman Gallery, 1999.
||IGY. By William S. Smith. New York: Marianne Boesky Gallery, 2010.
Image to Gesture 1945-1969: California Postwar Abstraction. By Peter Frank. New York: David Findlay Jr Gallery, 2013.
||J. DeFeo. By Ed Kienholz. Hope, ID: Faith and Charity in Hope Gallery, 1979.
Jay DeFeo. By Walead Beshty. New York: Mitchell-Innes & Nash.
Jay DeFeo / Alter Ego. By Todd Hosfelt and Victoria Roberts. San Francisco: Hosfelt Gallery, 2015.
Jay DeFeo: “Applaud the Black Fact.” By Bruce Hainley. Boston: Nielsen Gallery, 2007.
Jay DeFeo: Chiaroscuro. By John Yau. Zurich: Galerie Eva Presenhuber and JRP|Ringier, 2013
Jay DeFeo: Dibujos y Foto-collages. Edited by Rolando Castellón. San José, Costa Rica: Museo de Arte y Diseño Contemporáneo, 1996.
Jay DeFeo: The Florence View and Related Works, 19501954. Edited by Robert A. Whyte. San Francisco: Museo ItaloAmericano, 1997.
Jay DeFeo: Her Tripod and Its Dress. By Elisabeth Sussman. New York: Michael Rosenfeld Gallery, 2003.
Jay DeFeo: Ingredients of Alchemy, Before and After ‘The Rose.’ By Carter Ratcliff. New York: Michael Rosenfeld Gallery, 2002.
Jay DeFeo: An Intimate ViewSmall Paintings, 1986 through 1989. Edited by Tobin Keller. Santa Cruz, CA: Art Museum of Santa Cruz County, 1990.
Jay DeFeoNo End: Works on Paper from the 1980s; Botanicals: Photographs from the 1970s. By Dana Miller and Anne Wilkes Tucker. Santa Fe, NM: Dwight Hackett projects, 2006.
Jay DeFeo: A Retrospective. By Dana Miller. New York and New Haven: Whitney Museum of American Art and Yale University Press, 2012.
Jay DeFeo: Selected Works 19521989. By Constance Lewallen. Philadelphia: Goldie Paley Gallery, Moore College of Art and Design, 1996.
Jay DeFeo: Selected Works, Past and Present. By David S. Rubin. San Francisco: San Francisco Art Institute, 1984.
Jay DeFeo: Where the Swan Flies. By Jens Hoffmann. Houston, TX: Moody Gallery, 2008.
Jay DeFeo: Works on Paper. Edited by Sidra Stich. Berkeley: University Art Museum, University of California, Berkeley, 1989.
Jay DeFeo/Madeline O'Connor. By Jim Edwards. Victoria, TX: Nave Museum, 1986.
Jay DeFeo/MATRIX 11. By Henry T. Hopkins. Berkeley: University Art Museum, University of California, Berkeley, 1978.
Jay DeFeo, Robert Dhaemers, Ron Nagle, John Roloff, Catherine Wagner: Mills College Art Department Faculty Retrospective Exhibition. Edited by JoAnne G. Bernstein and Philip E. Linhares. Oakland, CA: Mills College Art Gallery, 1986.
||“A Kind of Beatness”: Photographs of a North Beach Era 19501965. By Mark Green. San Francisco: Focus Gallery, 1975.
||The Last Time I Saw Ferus: 19571966. By Betty Turnbull. Newport Beach, CA: Newport Harbor Art Museum, 1976.
Late Fifties at the Ferus. By James Monte. Los Angeles: Los Angeles County Museum of Art, 1968.
Lines of Discovery: 225 Years of American Drawings. Edited by Stephen C. Wicks. London and Columbus, GA: D Giles and Columbus Museum, 2006.
Looking for Mushrooms: Beat Poets, Hippies, Funk, Minimal ArtSan Francisco 195568. Edited by Barbara Engelbach, Friedericke Wappler, and Hans Winkler. Cologne, Germany: Museum Ludwig and Walther König, 2008.
Lyrical Vision: The 6 Gallery, 1954-1957. Edited by John Natsoulas. Davis, CA: Natsoulas/Novelozo Gallery, 1990.
||Made in California: Art, Image, and Identity, 19002000. By Stephanie Baron, Sheri Bernstein, and Ilene Susan Fort. Los Angeles and Berkeley: Los Angeles County Museum of Art and University of California Press, 2000.
Measure of Time. By Lucinda Barnes. Berkeley: Berkeley Art Museum and Pacific Film Archive, 2006.
Michael Rosenfeld Gallery: The First Decade. Edited by Michael Rosenfeld. New York: Michael Rosenfeld Gallery, 2000.
||Night Scented Stock. By Debra Singer and Gregory Volk. New York: Marianne Boesky Gallery, 2011.
19501965: Abstraction on Paper. Edited by Michael Rosenfeld. New York: Michael Rosenfeld Gallery, 2001.
Nineteenth Annual Drawing & Print Exhibition of the San Francisco Art Association. San Francisco: San Francsico Museum of Art.
Northern California Art of the Sixties. Edited by Georgianna M. Lagoria. Santa Clara, CA: De Saisset Museum, University of Santa Clara, 1982.
||“out of my own head”: Photographs by Jay DeFeo. By Stephan F. F. Jost. Oakland, CA: Mills College Art Museum, 2004.
||Painting and Sculpture in California: The Modern Era. By Henry T. Hopkins. San Francisco: San Francisco Museum of Modern Art, 1977.
Paper Trails: San Francisco Abstract Expressionist Prints, Drawings, and Watercolors. By Susan Landauer. Santa Cruz, CA: Art Museum of Santa Cruz County, 1993.
Paul McCarthy’s Low Life Slow Life: Tide Box, Tide Book. Edited by Jens Hoffmann and Stacen Berg. San Francisco and Ostfildern, Germany: California College of the Arts and Hatje Cantz Verlag, 2010.
Perceptions of the Spirit in Twentieth-Century American Art. Edited by Jane Dillenberger and John Dillenberger. Indianapolis: Indianapolis Museum of Art, 1977.
Pioneers. By Jens Hoffmann. San Francisco: California College of the Arts, 2007.
Poets of the Cities: New York and San Francisco 19501965. Edited by Neil A. Chassman. New York and Dallas: E. P. Dutton and Dallas Museum of Fine Arts, 1974.
Private Collections/Personal Exchange: Bay Area Artists, 19501966. By Michele Ellis Irwin and James Irwin. San Francisco: Transamerica Corporation, 1989.
Radical Past: Contemporary Art & Music in Pasadena, 19601974. Edited by Karen Jacobson. Pasadena: Armory Center for the Arts and Art Center College of Design.
Renaissance on Fillmore, 195565. By Michael Schwager. Sonoma, CA: di Rosa, 2012.
Rolling Renaissance: San Francisco Underground Art in Celebration, 19451968. Second edition. Edited by Robert Emory Johnson. San Francisco: Intersection, Center for Religion and the Arts, 1976. [Exhibit in 1968.]
The Rose: J. DeFeo. By Fred Martin. Pasadena and San Francisco: Pasadena Art Museum and San Francisco Museum of Art, 1968.
||San Francisco Bay Area Painting. By George W. Neubert. Lincoln: Sheldon Memorial Art Gallery, University of Nebraska, 1984.
San Francisco Renaissance: Photographs of the ’50s and ’60s. By Merril Greene. New York: Gotham Book Mart, 1975.
The San Francisco School of Abstract Expressionism. By Susan Landauer. Laguna Beach, CA, and Berkeley: Laguna Art Museum and University of California Press, 1996.
Semina Culture: Wallace Berman and His Circle. By Michael Duncan and Kristine McKenna. New York and Santa Monica, CA: D.A.P. and Santa Monica Museum of Art, 2005.
Seventeenth Annual Drawing & Print Exhibition of the San Francisco Art Association. San Francisco: San Francsico Museum of Art.
Seventeenth Annual Watercolor Exhibition of the San Francisco Art Association. San Francisco: San Francsico Museum of Art.
Sixteen Americans. Edited by Dorothy C. Miller. New York: Museum of Modern Art, 1959.
The Spirit Level. By Ugo Rondinone. New York: Gladstone Gallery, 2012.
||The Third Mind: Carte Blanche à Ugo Rondinone. By Ugo Rondinone. Paris: Palais de Tokyo, 2007.
Three Pick Four. Edited by Andrée Maréchal-Workman. San Francisco: University of California Extension Center Art Gallery, 1984.
Traces du Sacré (Traces of the Sacred). Edited by Jean de Loisy. Paris: Éditions du Centre Pompidou, 2008.
The True Artist Is an Amazing Luminous Fountain: Selected Works from the di Rosa Preserve: Art & Nature. By Jack Rasmussen. Napa, CA: di Rosa Preserve: Art & Nature, 2004.
True Grit. By Arlene Raven. New York: Michael Rosenfeld Gallery, 2000.
Twice Drawn: Modern and Contemporary Drawings in Context. Edited by Ian Berry and Jack Shear. New York and Sarasota Springs, NY: Prestel and Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, 2011.
||The Unphotographable. By Jeffrey Fraenkel. San Francisco: Fraenkel Gallery, 2013.
||WACK! Art and the Feminist Revolution. Edited by Cornelia Butner and Lisa Gabrielle Mark. Los Angeles and Cambridge, MA: Museum of Contemporary Art, Los Angeles, and MIT Press, 2007.
Women of Abstract Expressionism. Edited byJoan Marter. Denver and New Haven: Denver Art Museum and Yale University Press, 2016.