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Exhibition Catalogues (Listed by Title)

Click on underlined links for additional information

A Abstraction Expressionism: Further Evidence, Painting and Sculpture. Edited by Michael Rosenfeld. New York: Michael Rosenfeld Gallery, 2009.

The American Century: Art and Culture, 1950–2000. By Lisa Phillips. New York: Whitney Museum of American Art and W.W. Norton, 1999.

An American Legacy: A Gift to New York: Recent Acquisitions from the Board of Trustees. By Dana A. Miller and Marla Prather. New York: Whitney Museum of American Art and Prestel, 2002.

Archives of American Art: California Collecting. Edited by George W. Neubert and Therese Heyman. Oakland, CA: Oakland Museum, 1977.

Art as a Muscular Principle: 10 Artists and San Francisco, 1950–1965: Roots and New Directions. By Merril Greene. South Hadley, MA: John and Norah Warbeke Gallery, Mount Holyoke College, 1975.

Art Bank 64/66. By the Art Association of the San Francisco Art Association. San Francisco: Art Association of the San Francisco Art Institute, 1964. [For a lending collection from the Artist Association of the San Francisco Art Institute.]

Art Is Not an Intellectual Way of Thinking. By Mette-Line Pedersen. Kristiansand, Norway: Kristiansand Kunsthall, 2014.

The Artist and the Myth. By Jo Farb Hernandez. Monterey, CA: Monterey Peninsula Museum of Art, 1987.

The Avant-Garde Collection. By Dan Cameron. Newport Beach, CA: Orange County Museum of Art, 2014.

B A Bay Area Connection: Works from the Anderson Collection. Edited by Katherine Church Holland. Santa Clara, CA: Triton Museum of Art, 1995.

Beat Culture and the New America, 1950–65. By Lisa Phillips. New York and Paris: Whitney Museum of American Art and Flammarion, 1995.

Beat Generation and Beyond: A Visual History, Volume II. By John Natsoulas and Vanessa Bolden. Davis, CA: John Natsoulas Press, 2004.

C California Landscape Into Abstraction. By Dan Cameron. Newport Beach, CA: Orange County Museum of Art, 2013.

Celebrating Modern Art: The Anderson Collection. Edited by Gary Garrels. San Francisco and Berkeley: San Francisco Museum of Modern Art and University of California Press, 2000.

Choose Paint! Choose Abstraction! By Lizzetta LeFalle-Collins. San Francisco: Museum of the African Diaspora, 2012.

Concerning the Spiritual: The Eighties. By David S. Rubin. San Francisco: San Francisco Art Institute, 1985.

Crafting Modernism: Midcentury American Art and Design. Edited by Jeannine Falino. New York: Abrams and Museum of Arts and Design, 2011.

D Decade: Contemporary Collecting 2002–2012. By Douglas Dreishpoon, Louis Grachos, David Pagel, and Heather Pesanti. Buffalo: Albright-Knox Art Gallery, 2012.

DEFEO. By Todd Hosfelt and Stephanie Hanor. San Francisco: Hosfelt Gallery, 2011.

The Dilexi Years, 1958–1970. Edited by Christina Orr-Cahall. Oakland, CA: Oakland Museum, 1984.

Directions in Bay Area Painting: A Survey of Three Decades, 1940s–1960s. Edited by Joseph Armstrong Baird, Jr. Davis: Richard L. Nelson Gallery, University of California, Davis, 1983.

Dissonant Abstractions. By Mark Van Proyen. San Jose, CA: San Jose Institute of Contemporary Art, 1986.

Drawing Modern: Works from the Agnes Gund Collection. By Carter E. Foster and Jeffrey D. Grove. Cleveland, OH: Cleveland Museum of Art, 2003.

E An Eclectic Eye: Selections from the Dan Leach Collection. By Julie Sasse. Tucson, AZ: Tucson Museum of Art, 2007.

elles@centrepompidou: Women Artists in the Collection of the Musée National d’Art Moderne, Centre de Création Industrielle. By Camille Morineau. Paris: Éditions du Centre Pompidou 2009.

F Facing Eden: 100 Years of Landscape Art in the Bay Area. By Steven A. Nash. San Francisco and Berkeley: Fine Arts Museums of San Francisco and University of California Press, 1995.

Ferus. Edited by Gagosian Gallery. New York: Gagosian Gallery, 2002. Second edition, 2009, copublished with Rizzoli.

Forty Years of California Assemblage: UCLA Art Council Annual Exhibition. Edited by Anne Ayres. Los Angeles: Frederick S. Wight Art Gallery, University of California, Los Angeles, 1989.

H Here and Now: Bay Area Masterworks from the di Rosa Collection. By Philip E. Linhares. Oakland, CA: Oakland Museum, 1994.

Homage to the San Francisco Art Institute: Artists Who Transformed American Culture. Edited by Michael Hackett and Tracy Freedman. San Francisco: Hackett-Freedman Gallery, 1999.

I IGY. By William S. Smith. New York: Marianne Boesky Gallery, 2010.

Image to Gesture 1945-1969: California Postwar Abstraction. By Peter Frank. New York: David Findlay Jr Gallery, 2013.

J J. DeFeo. By Ed Kienholz. Hope, ID: Faith and Charity in Hope Gallery, 1979.

Jay DeFeo. By Walead Beshty. New York: Mitchell-Innes & Nash.

Jay DeFeo / Alter Ego. By Todd Hosfelt and Victoria Roberts. San Francisco: Hosfelt Gallery, 2015.

Jay DeFeo: “Applaud the Black Fact.” By Bruce Hainley. Boston: Nielsen Gallery, 2007.

Jay DeFeo: Chiaroscuro. By John Yau. Zurich: Galerie Eva Presenhuber and JRP|Ringier, 2013

Jay DeFeo: Dibujos y Foto-collages. Edited by Rolando Castellón. San José, Costa Rica: Museo de Arte y Diseño Contemporáneo, 1996.

Jay DeFeo: The Florence View and Related Works, 1950–1954. Edited by Robert A. Whyte. San Francisco: Museo ItaloAmericano, 1997.

Jay DeFeo: Her Tripod and Its Dress. By Elisabeth Sussman. New York: Michael Rosenfeld Gallery, 2003.

Jay DeFeo: Ingredients of Alchemy, Before and After ‘The Rose.’ By Carter Ratcliff. New York: Michael Rosenfeld Gallery, 2002.

Jay DeFeo: An Intimate View—Small Paintings, 1986 through 1989. Edited by Tobin Keller. Santa Cruz, CA: Art Museum of Santa Cruz County, 1990.

Jay DeFeo—No End: Works on Paper from the 1980s; Botanicals: Photographs from the 1970s. By Dana Miller and Anne Wilkes Tucker. Santa Fe, NM: Dwight Hackett projects, 2006.

Jay DeFeo: A Retrospective. By Dana Miller. New York and New Haven: Whitney Museum of American Art and Yale University Press, 2012.

Jay DeFeo: Selected Works 1952–1989. By Constance Lewallen. Philadelphia: Goldie Paley Gallery, Moore College of Art and Design, 1996.

Jay DeFeo: Selected Works, Past and Present. By David S. Rubin. San Francisco: San Francisco Art Institute, 1984.

Jay DeFeo: Where the Swan Flies. By Jens Hoffmann. Houston, TX: Moody Gallery, 2008.

Jay DeFeo: Works on Paper. Edited by Sidra Stich. Berkeley: University Art Museum, University of California, Berkeley, 1989.

Jay DeFeo/Madeline O'Connor. By Jim Edwards. Victoria, TX: Nave Museum, 1986.

Jay DeFeo/MATRIX 11. By Henry T. Hopkins. Berkeley: University Art Museum, University of California, Berkeley, 1978.

Jay DeFeo, Robert Dhaemers, Ron Nagle, John Roloff, Catherine Wagner: Mills College Art Department Faculty Retrospective Exhibition. Edited by JoAnne G. Bernstein and Philip E. Linhares. Oakland, CA: Mills College Art Gallery, 1986.

K Karl Haendel & Jay DeFeo: Pink Cup and The Facts. By Robin Clark, Karl Haendel and Leah Levy. New York: Mitchell-Innes & Nash Gallery, 2017.

“A Kind of Beatness”: Photographs of a North Beach Era 1950–1965. By Mark Green. San Francisco: Focus Gallery, 1975.

L The Last Time I Saw Ferus: 1957–1966. By Betty Turnbull. Newport Beach, CA: Newport Harbor Art Museum, 1976.

Late Fifties at the Ferus. By James Monte. Los Angeles: Los Angeles County Museum of Art, 1968.

Lines of Discovery: 225 Years of American Drawings. Edited by Stephen C. Wicks. London and Columbus, GA: D Giles and Columbus Museum, 2006.

Looking for Mushrooms: Beat Poets, Hippies, Funk, Minimal Art—San Francisco 1955–68. Edited by Barbara Engelbach, Friedericke Wappler, and Hans Winkler. Cologne, Germany: Museum Ludwig and Walther König, 2008.

Lyrical Vision: The 6 Gallery, 1954-1957. Edited by John Natsoulas. Davis, CA: Natsoulas/Novelozo Gallery, 1990.

M Made in California: Art, Image, and Identity, 1900–2000. By Stephanie Baron, Sheri Bernstein, and Ilene Susan Fort. Los Angeles and Berkeley: Los Angeles County Museum of Art and University of California Press, 2000.

Measure of Time. By Lucinda Barnes. Berkeley: Berkeley Art Museum and Pacific Film Archive, 2006.

Medusa: Jewellery & Taboos. Edited by Anne Dressen, Michèle Heuzé and Benjamin Lignel. Paris: Paris Musées, 2017.

Michael Rosenfeld Gallery: The First Decade. Edited by Michael Rosenfeld. New York: Michael Rosenfeld Gallery, 2000.

N Night Scented Stock. By Debra Singer and Gregory Volk. New York: Marianne Boesky Gallery, 2011.

1950–1965: Abstraction on Paper. Edited by Michael Rosenfeld. New York: Michael Rosenfeld Gallery, 2001.

Nineteenth Annual Drawing & Print Exhibition of the San Francisco Art Association. San Francisco: San Francsico Museum of Art.

Northern California Art of the Sixties. Edited by Georgianna M. Lagoria. Santa Clara, CA: De Saisset Museum, University of Santa Clara, 1982.

O “out of my own head”: Photographs by Jay DeFeo. By Stephan F. F. Jost. Oakland, CA: Mills College Art Museum, 2004.

P Painting and Sculpture in California: The Modern Era. By Henry T. Hopkins. San Francisco: San Francisco Museum of Modern Art, 1977.

Paper Trails: San Francisco Abstract Expressionist Prints, Drawings, and Watercolors. By Susan Landauer. Santa Cruz, CA: Art Museum of Santa Cruz County, 1993.

Paul McCarthy’s Low Life Slow Life: Tide Box, Tide Book. Edited by Jens Hoffmann and Stacen Berg. San Francisco and Ostfildern, Germany: California College of the Arts and Hatje Cantz Verlag, 2010.

Perceptions of the Spirit in Twentieth-Century American Art. Edited by Jane Dillenberger and John Dillenberger. Indianapolis: Indianapolis Museum of Art, 1977.

Pioneers. By Jens Hoffmann. San Francisco: California College of the Arts, 2007.

Poets of the Cities: New York and San Francisco 1950–1965. Edited by Neil A. Chassman. New York and Dallas: E. P. Dutton and Dallas Museum of Fine Arts, 1974.

Private Collections/Personal Exchange: Bay Area Artists, 1950–1966. By Michele Ellis Irwin and James Irwin. San Francisco: Transamerica Corporation, 1989.

R Radical Past: Contemporary Art & Music in Pasadena, 1960–1974. Edited by Karen Jacobson. Pasadena: Armory Center for the Arts and Art Center College of Design.

Renaissance on Fillmore, 1955–65. By Michael Schwager. Sonoma, CA: di Rosa, 2012.

Rolling Renaissance: San Francisco Underground Art in Celebration, 1945–1968. Second edition. Edited by Robert Emory Johnson. San Francisco: Intersection, Center for Religion and the Arts, 1976. [Exhibit in 1968.]

The Rose: J. DeFeo. By Fred Martin. Pasadena and San Francisco: Pasadena Art Museum and San Francisco Museum of Art, 1968.

S San Francisco Bay Area Painting. By George W. Neubert. Lincoln: Sheldon Memorial Art Gallery, University of Nebraska, 1984.

San Francisco Renaissance: Photographs of the ’50s and ’60s. By Merril Greene. New York: Gotham Book Mart, 1975.

The San Francisco School of Abstract Expressionism. By Susan Landauer. Laguna Beach, CA, and Berkeley: Laguna Art Museum and University of California Press, 1996.

Semina Culture: Wallace Berman and His Circle. By Michael Duncan and Kristine McKenna. New York and Santa Monica, CA: D.A.P. and Santa Monica Museum of Art, 2005.

Seventeenth Annual Drawing & Print Exhibition of the San Francisco Art Association. San Francisco: San Francsico Museum of Art.

Seventeenth Annual Watercolor Exhibition of the San Francisco Art Association. San Francisco: San Francsico Museum of Art.

Sixteen Americans. Edited by Dorothy C. Miller. New York: Museum of Modern Art, 1959.

The Spirit Level. By Ugo Rondinone. New York: Gladstone Gallery, 2012.

T The Third Mind: Carte Blanche à Ugo Rondinone. By Ugo Rondinone. Paris: Palais de Tokyo, 2007.

Three Pick Four. Edited by Andrée Maréchal-Workman. San Francisco: University of California Extension Center Art Gallery, 1984.

Traces du Sacré (Traces of the Sacred). Edited by Jean de Loisy. Paris: Éditions du Centre Pompidou, 2008.

The True Artist Is an Amazing Luminous Fountain: Selected Works from the di Rosa Preserve: Art & Nature. By Jack Rasmussen. Napa, CA: di Rosa Preserve: Art & Nature, 2004.

True Grit. By Arlene Raven. New York: Michael Rosenfeld Gallery, 2000.

Twice Drawn: Modern and Contemporary Drawings in Context. Edited by Ian Berry and Jack Shear. New York and Sarasota Springs, NY: Prestel and Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, 2011.

U The Unphotographable. By Jeffrey Fraenkel. San Francisco: Fraenkel Gallery, 2013.

W WACK! Art and the Feminist Revolution. Edited by Cornelia Butner and Lisa Gabrielle Mark. Los Angeles and Cambridge, MA: Museum of Contemporary Art, Los Angeles, and MIT Press, 2007.

William Blake and the Age of Aquarius. By Stephen F. Eisenman. Evanston, IL & Princeton, NJ: Mary and Leigh Block Museum of Art, Northwestern University and Princeton University Press, 2017.

Women of Abstract Expressionism. Edited byJoan Marter. Denver and New Haven: Denver Art Museum and Yale University Press, 2016.


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